

Brosnan managed the same feat, in a plane, after falling off the edge of a cliff. GoldenEye – In the Mexico-based, loopy helicopter beginning, the stunt peaks as the ‘copter heads south and Bond pulls on the throttle as best he can, managing to pull it up in the nick of time. This idea of MI6 stopping the agent conducting any missions (but he shoots and kills anyway) only harks back to the ‘Bond goes rogue’ trope of Licence to Kill (in turn, inspired by Die Hard, Lethal Weapon, etc). Licence to Kill – Spectre, again, see’s M tell James Bond he’s “grounded”. Apart from the similar deserts that feature in both The Living Daylights and Spectre (Tangier is a location appearing in both films – remember that “magic” carpet?), I’m sure Daniel Craig would’ve revisited Timothy Dalton’s duo to build his character throughout his tenure. The Living Daylights – Famously, The Living Daylights set up a deeply serious Bond figure decades before Daniel Craig arrived. There’s also an explosive finale above, and on, a bridge in Spectre … There is also a neat link to the Fleming book as ‘Oberhauser’, the birth name of Spectre’s Blofeld, originally appeared in the novel.Ī View To A Kill – I’ll admit that I’m grasping at straws here, but the climax of A View to a Kill is Max Zorin, flying his blimp over San Francisco Bay Bridge. But, other than the Octopus logo, the mention of 009 in Spectre (Remember, it was 009’s car 007 nabs from Q branch) is the same 009 agent (dressed as a clown) killed at the opening sequence of Octopussy. Octopussy – At this stage it starts to get tricky. For Your Eyes Only is also the strange opening with bald-headed, grey-suited “villain” who, for legal reasons, is not Blofeld. Spectre (unnecessarily) employs a family subplot to heighten the tension as Bond and Blofeld are apparently brothers. I’m sure a NASA spacecraft is lurking somewhere in that bunker.įor Your Eyes Only – The attempt at seriousness for Roger Moore was rooted in a personal story about fathers and daughters – and how family is the key to “seriousness”. Moonraker – Granted, no Star Wars money-grabbing in Spectre, but deeper into Oberhauser’s base, his black suited sat-at-computer-desks army seem to have more than a whiff of Moonraker about them.
